Colour guide · Printed references

How to compare filament colours using printed samples

Compare filament colours by printing identical samples, placing them side by side, and viewing them under the same controlled light. Thickness, layer direction and surface finish can change apparent colour, so a fair comparison keeps those variables fixed.

Why spool photographs are unreliable

Camera white balance, exposure, screen calibration and edited product images can all shift colour. Even an accurate photograph represents one light source and viewing angle. Use photographs to narrow a search, then compare physical prints for a final decision.

Printed plastic versus filament on the spool

A spool presents smooth round strands with many overlapping reflections. A print presents parallel layers, top-surface toolpaths and possibly infill behind a wall. These structures scatter and absorb light differently, so loose filament may appear brighter, darker or more saturated than the finished part.

The effect of thickness

Thin sections admit more background light and can look less saturated; thick sections tend to appear denser. Compare equal-thickness areas against the same neutral backing. For translucent materials, use the controlled windows described in the transparency testing guide.

Matte, silk, glossy, and translucent finishes

Matte surfaces diffuse highlights and often look stable across angles. Glossy and silk filaments produce stronger directional highlights that can mask the base colour. Translucent plastic mixes reflected light with light passing through it. Compare like finishes first, then evaluate cross-finish options in the lighting of the intended object.

Comparing samples under consistent lighting

  1. Place samples on the same neutral grey or white background.
  2. Use one diffuse light source and block mixed window and room light.
  3. Keep viewing angle and distance fixed.
  4. Rotate both samples together to compare sheen.
  5. Repeat under the final room or task lighting when relevant.

Photographing swatches accurately

Use manual exposure and white balance, avoid clipped highlights, and include a neutral reference in the frame. Keep the light, camera position and background unchanged between sessions. A photograph is still device-dependent, so label it as a visual aid rather than an exact digital colour value.

Building a colour reference library

Give each card an identifier and record material, product line, finish and print profile. Store samples away from heat and prolonged strong light. A focused PLA swatch workflow helps keep the largest part of many collections consistent.

Create a labelled colour sample

Generate the same card geometry for every candidate so your comparison starts from a consistent printed object.

Generate a colour swatch STL